Tragic Flaw Of Oedipus Rex Essay Topics

Oedipus the King: The Tragic Flaws Of Oedipus

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     The ancient Greeks were fond believers of Fate. Fate, defined according to Webster’s, is “the principle or determining cause or will by which things in general are believed to come to be as they are or events to happen as the do.” The Greeks take on Fate was slightly modified. They believed that the gods determined Fate: “…fate, to which in a mysterious way the gods themselves were subject, was an impersonal force decreeing ultimate things only, and unconcerned with day by day affairs.” It was thought that these gods worked in subtle ways; this accounts for character flaws (called harmatia in Greek). Ancient Greeks thought the gods would alter a person’s character, in order for that person to suffer (or gain from) the appropriate outcome. Such was the case in Oedipus’s story.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
Sophocles intentionally gave certain flaws in character type to Oedipus—he intended a downfall. That was the purpose of all ancient Greek drama: it was meant as “a dramatic reminder of [their] own mortality”. Sophocles used his plays in order to force people to learn at other’s mistake. Oedipus is a perfect example. His tragic flaws, persistence and ignorance caused his inevitable doom
Oedipus’s persistence is seen even from the beginning of Oedipus Rex. “The first instance in which [it] is revealed is when he first encounters Teiresias, a seer who refuses to divulge the truth he admits to knowing.” Teiresias begs to Oedipus, “let me go home” . “However, Oedipus doesn't want anything withheld from him, and he gradually becomes more heated in his wheedling…” Teiresias even plainly states Oedipus’s flaw, “Why persist in asking? You will not persuade me.” Despite this comment, eventually “the prophet spits out the truth in disgust, and, cursing, takes his leave.” This is the first case in which Oedipus’s persistence causes him trouble.

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Oedipus’s persistence comes out again just before the anagnorisis, when talking with the Shepherd. At this point in the play, “the subject of Oedipus’s inquiry has shifted from the identity of Laios’s murderer to his own identity.” Oedipus is searching for an answer, and the Shepherd is reluctant to give it to him, “For God’s love, my King, do not ask me any more!” Yet, the persistence takes over; “Oedipus is determined to have the whole truth, no matter how disastrous the truth may be.” Finally, as did Teiresias, the Shepherd gave in to Oedipus’s flaw and said, “For if you are what this man says you are, No man living is more wretched than Oedipus.” His “discovery” ensues, suddenly changing him from ignorance to knowledge.
Ignorance is not bliss…for Oedipus anyway. His ignorance causes him to miss obvious references to his Fate—all of which, if picked up in time, could have allowed Oedipus to escape his doom. His ignorance is first seen in the encounter with Teiresias. The wise man clearly states the killer of Laios, “I say that you are the murderer whom you seek.” “[Oedipus] hears the prophecy in language, which is as ominous as it is plain and unmistakable.” It is Oedipus’s pure ignorance that limits his understanding of this grave subject. “He prioritizes the truth above his personal well-being, and, by doing so, admits his view of fate as a lesser force in his consciousness than the safety of Thebes.” Oedipus even is too ignorant to recognize Teiresias’s prediction of his Fate, “…And he will go tapping the strange earth with his staff…” “Oedipus is not so much challenging fate as oblivious to it…”
The use of ignorance in the play is also expressed through light and dark imagery. Light, of course, meaning knowledge, and dark imagery representing ignorance (namely that of Oedipus). Oedipus’s ignorance is very strongly shown in the story, until his epiphany. The text is flushed with references to Oedipus’s darkness, which indicates not only his ignorance, but also his terrible doom: blindness at his own hands. By far the most depicting scene of this light and dark imagery is the encounter between Teiresias and Oedipus. “This confrontation between the figuratively and literally blind proves to be a clever example of peripety as well as irony.” The ignorance is shown that way by references to darkness, as Teiresias says, “You mock my blindness, do you? But I say that you, with both your eyes, are blind…”
Oedipus’s downfall was the direct result of his tragic flaws. First, persistence forced the tragic hero to continuously search for the truth, whatever it may be. Whether questioning for the murderer of Laios or his own life history, Oedipus was determined to find the answers. However, it was his ignorance that prohibited him from recognizing the answers he received. That is what brought him to his end. His incomprehension of the obvious proved critical to Oedipus.

“Tragedy”, Webster’s Ninth New Collegiate Dictionary, 9th ed. Frederick C. Mish, 9th ed. (Springfield: Merriam-Webster Inc., 1988) 451.
Maureen C. Howard, “Sophocles’ Oedipus Rex,” Yale-New Haven Teachers Institute 21 April 2001 <http://www.yale.edu/ynhti/curriculum/units/1984/2/84.02.03.x.html>.
Deborah D. Jones and Naomi Williams, Humanities Department Handbook of Augusta Preparatory Day School, ed. Deborah D. Jones and Naomi Williams, 2nd ed. ([Augusta]: [n.p.], 1992) 54.
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“An Exploration of Oedipus,” Rivendell Educational Archive, ed. Leigh Denault (1999), 21 April 2001 <http://www.watson.org/rivendell/dramagreekessay3.html>.
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Pride, the Tragic Flaw of Oedipus the King

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     According to Aristotle, the protagonist in a tragedy must have a tragic flaw that ultimately becomes the cause of his ruin. Oedipus in Oedipus the King by Sophocles tragic flaw that caused his downfall was his pride. Three examples of when Oedipus&#8217; pride got the better of him were: when he left his adopted parents in Cornith, the second is when he goes against Creon, and the third is when Oedipus is demanding that the messenger tell him all he knows about who his real parents are.
     Oedipus shows himself as being very pridefull when he leaves his adopted parents in Corinth. Oedipus leaves after he is told about his destiny from an old prophet. The prophet tells Oedipus that he will one day kill his father and marry his mother. Fearing this, Oedipus decides to leave Cornith. In doing this he is going against the gods, he is saying that he is not going to let this happen to him and he is going to control his own destiny.
     The second example of when Oedipus is shown having a great deal of pride is when he goes against Creon. Oedipus calls Creon a traitor. He says that Creon persuaded him to send for the prophet, Tiresias, to find out who murdered King Laius. He thinks that Creon and Tiresias plotted against him, saying that he was the one who murdered the king. Oedipus believes that Creon did this so he could become king.
     The last example of when Oedipus&#8217; pride gets the better of him was when he is demanding that the messenger tell him all he knows about who his real parents are. Again the messenger is trying to tell him that things would be better left untold, but Oedipus has to keep going on and on and find out. Finally the messenger tells him that Polybus is not his father, already Jocasta has figured out that she is his mother. Oedipus asks the messenger who his real parents are. Jocasta is begging Oedipus to pay no attention to the messenger and tells Oedipus, &#8220;Never find out who you are';(1073). Oedipus, of course, goes on ahead anyway and sends for the shepherd who know where Oedipus came from. Once again Oedipus pride got in the way.
     In conclusion, I think that if Oedipus had not had this huge sense of pride things would have turn out a lot better for him.

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"Pride, the Tragic Flaw of Oedipus the King." 123HelpMe.com. 13 Mar 2018
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Oedipus         Oedipus Rex         Own Destiny         Messenger         Jocasta         Tiresias         Prophet         Leaves         Traitor         Creon        




First of all, if Oedipus had never left Cornith he would have never murdered his father, King Laius. By not murdering the king, he would have never had the opportunity to marry his mother, Jocasta. And not marrying Jocasta meant, she would have never committed suicide. So you see things would have been a lot better different if he did not try to control his future and go against the gods and his prophecy.



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